About Filip
Filip Urban (b. 1995) is one of the most distinctive figures of the young generation of Czech conductors. He attracted international attention as a laureate of the Felix Mendelssohn International Conducting Competition, the overall winner of the 1st Conducting Competition of the Karlovy Vary Symphony Orchestra and the only Czech participant in the prestigious Nordic Masterclass led by Jorma Panula, which culminated in a performance with the Odense Symphony Orchestra.
From 2024 to 2026 he served as assistant to the chief conductor of the Janáček Philharmonic Ostrava. He holds the Talent of the Year award of the City of Ostrava (2024) and the Karviná Mayor's Award for an outstanding contribution to culture (2026).
Alongside his concert activities, he is also establishing himself as an opera conductor and devotes himself to projects connecting music with other art forms.
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All videosCarl Maria von Weber – Oberon – overture
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Full calendar2026
Sergei Prokofiev – The Gambler
National Moravian-Silesian Theatre, Ostrava
More information2026
Má vlast (My Country)
DEKKADANCERS / Czech Philharmonic
More information2026
Má vlast (My Country)
DEKKADANCERS / Czech Philharmonic
More information2026
Má vlast (My Country)
DEKKADANCERS / Czech Philharmonic
More informationReviews
The evening was masterly directed by Filip Urban evincing the finest orchestral talents of the ensemble in what is a very challenging score; his preparation and direction of Prokofiev's score was magnificent.
In Košice the opera was prepared for the first time by the young Czech conductor Filip Urban (b. 1995), a graduate of JAMU in Brno, like the director Beneš. He musically prepared Banevich's demanding score and conducted it at the premieres (and the preview) with great command, skilfully alternating the individual musical passages – apt in rhythm, harmony and melody – supporting the story and its dramatic climaxes in the demanding arias, duets and beautiful choral scenes. He handled the orchestral score constructively, lucidly and with emotional impact, even in situations where the choir sang from both sides of the auditorium.
Under the baton of Marek Šedivý at the premiere and Filip Urban at the repeat performance, the orchestra sounded full and precise, with rhythmic and intonational assurance, and the singing and acting of all the main characters were admirable.